Zhu Guangqian

Chinese scholar and theoretician of aesthetics
You can help expand this article with text translated from the corresponding article in Chinese. (February 2022) Click [show] for important translation instructions.
  • Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia.
  • Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
  • You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary is Content in this edit is translated from the existing Chinese Wikipedia article at [[:zh:朱光潜]]; see its history for attribution.
  • You may also add the template {{Translated|zh|朱光潜}} to the talk page.
  • For more guidance, see Wikipedia:Translation.
Zhu Guangqian
Zhu Guangqian in 1933.
Born(1897-09-19)19 September 1897
Anhui, China
Died6 March 1986(1986-03-06) (aged 88)
Beijing, China
Alma materUniversity of Hong Kong
University of Edinburgh
University College, London
University of Paris
University of Strasbourg

Zhu Guangqian (朱光潛; 19 September 1897 – 6 March 1986) was a scholar and theoretician of aesthetics in 20th-century China.[1]

History

Zhu was born in Tongcheng, Anhui in 1897 and graduated from the Anhui Province Tongcheng Secondary School.[2]: 1  After earning his BA from Hong Kong University in 1922,[2]: 8  he went abroad to study aesthetics at the University of Edinburgh and University College, London.[2]: 24  He moved to France in 1931 and studied at the University of Strasbourg, where he earned his doctorate in 1933.[2]: 25 [3] Later, he returned to China to write The Psychology of Art (文藝心理學), On Poetry (詩論), and A History of Western Aesthetics (西方美學史), Letters on Beauty (談美書簡).

In the 1930s in Beijing, Zhu Guangqian hosted a literary salon that met monthly to recite prose and poetry, east and west. Regulars included Wen Yiduo (聞一多), Chen Mengjia (陳夢家), Zhu Ziqing (朱自清), Zheng Zhenduo (鄭振鐸), Feng Zhi (馮至), Shen Congwen (沈從文), Bing Xin (冰心), Ling Shuhua (淩淑華), Bian Zhilin (卞之琳), Lin Huiyin (林徽因) and Xiao Qian (蕭乾). These were pivotal figures in Republican literature, and it can perhaps be argued that the salon was important to the formation of the so-called Beijing style literature (京派文學) of the period.

Portrait

  • Zhu Guangqian. A Portrait by Kong Kai Ming at Portrait Gallery of Chinese Writers (Hong Kong Baptist University Library)

References

  1. ^ Yeh, Michelle (1990). "A New Orientation to Poetry: The Transition from Traditional to Modern". Chinese Literature: Essays, Articles, Reviews (CLEAR). 12: 95. doi:10.2307/495225. ISSN 0161-9705. JSTOR 495225.
  2. ^ a b c d Sabattini, Mario (2021-03-15). Zhu Guangqian's Life and Philosophy: An Introduction. BRILL. ISBN 978-90-04-45011-0.
  3. ^ Laikwan, Pang (2023). "Can dialectic materialism produce beauty? The "Great Aesthetic Debates" (1956–1962) in the People's Republic of China". International Journal of Asian Studies. 20 (2): 340. doi:10.1017/S1479591422000171. ISSN 1479-5914.
Authority control databases Edit this at Wikidata
International
  • FAST
  • ISNI
  • VIAF
National
  • Norway
  • France
  • BnF data
  • Germany
  • Israel
  • United States
  • Latvia
  • Taiwan
  • Japan
  • Czech Republic
  • Australia
  • Korea
  • Netherlands
Academics
  • CiNii
People
  • Trove
Other
  • IdRef


  • v
  • t
  • e
Stub icon

This aesthetics-related article is a stub. You can help Wikipedia by expanding it.

  • v
  • t
  • e