Puriya
- S N D M̄ G Ṟ S Ṇ
- Ṟ N D M̄ G,M̄ G Ṟ S
Puriya is a major hexatonic raga of Hindustani classical music. It was created by Amir Khusrau.
Note emphasis: Ni, Ga, (Ma is an important pivot note.)
Pakad or Chalan
Ni Ni Ni Ma, Ni Dha Ni
re Sa
Ma, (Ni) D (Sa) Ni (re) Sa () = grace note
Ni re Ga
Ni re Ga, Ga re Sa
Ni re Ma Ma Ga
Ma Dha Ni, Ma Dha, Ga Ma G
Details
| Property | Value |
|---|---|
| Thaat | Marwa |
| Ascending | N r G M D N r S |
| Descending | S N D M G r S N or r N D M Gg, M G r S |
| Samar (time of day) | Sunset or just after |
| Rasa | Shanti (equanimity/peace) Gambhir (seriousness) |
| Related ragas | Kanada, Hindol, Kalyan (Iman) |
Sources
Bor, Joep (c. 1997), The Raga Guide, Charlottesville,Virginia: Nimbus Records, archived from the original on 15 July 2009
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Ragas as per performance time
- Ahir Bhairav
- Asavari
- Bairagi Bhairav
- Basant Mukhari
- Bhairav
- Bhankar
- Bhatiyar
- Bhoopal Todi
- Bilaskhani Todi
- Bilawal
- Deshkar
- Desi
- Gunakri
- Gurjari
- Hindol
- Jaunpuri
- Jogiya
- Kalingada
- Lalit
- Nat Bhairav
- Sohni
- Todi
- Vibhas
- Amrith Kalyan
- Bhoopali
- Desh
- Hansdhwani
- Hamsa Kalyan
- Kamod
- Khamaj
- Maru Bihag
- Pahadi
- Puriya
- Puriya Dhanashree
- Sham Kalyan
- Shankara
- Shuddh Kalyan
- Tilang
- Yaman
- Yaman Kalyan
- Adana
- Bageshri
- Bahar
- Basant
- Bhinna Shadja
- Bhimsen
- Bihag
- Chandani Kedar
- Chandrakauns
- Chhayanat
- Darbari
- Durga
- Gorakh Kalyan
- Hameer
- Jaijaivanti
- Jhinjhoti
- Kalavati
- Kedar
- Kirwani
- Malgunji
- Malhar
- Malkauns
- Malkauns Pancham
- Nand
- Rageshri
- Shivranjani
- Tilak Kamod
- Bhairavi
- Charukeshi
- Dhani
- Gara
- JanaSammohini
- Kafi
- Mand
- Piloo
- Vrindavani Sarang
- Gaud Malhar
- Miyan Malhar
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