Paolo de Matteis
Italian painter (1662–1728)
You can help expand this article with text translated from the corresponding article in Italian. (December 2022) Click [show] for important translation instructions.
- Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia.
- Consider adding a topic to this template: there are already 3,074 articles in the main category, and specifying
|topic=will aid in categorization. - Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
- You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary is
Content in this edit is translated from the existing Italian Wikipedia article at [[:it:Paolo De Matteis]]; see its history for attribution. - You may also add the template
{{Translated|it|Paolo De Matteis}}to the talk page. - For more guidance, see Wikipedia:Translation.
Paolo de' Matteis | |
|---|---|
 Self-portrait | |
| Born | (1662-02-09)9 February 1662 Piano Vetrale |
| Died | 26 January 1728(1728-01-26) (aged 65) Kingdom of Naples |
| Nationality | Italian |
| Known for | Painting |
| Movement | Baroque |
Paolo de Matteis (also known as Paolo de' Matteis; 9 February 1662 – 26 January 1728) was an Italian painter.
Biography
He was born in Piano Vetrale, a hamlet of Orria, in the current Province of Salerno, and died in Naples. He trained with Francesco di Maria in Naples, then with Luca Giordano. He served in the employ of the Spanish Viceroy of Naples. From 1702 to 1705, de' Matteis worked in Paris, Calabria, and Genoa. In Genoa, he painted an Immaculate Conception with St. Jerome Appearing to St. Sevrio.
Returning to Naples, he painted decorative schemes for Neapolitan churches, including the vault of the chapel of San Ignatius in the church of Gesù Nuovo in Naples. He also painted an Assumption of the Virgin for the Abbey at Monte Cassino. Between 1723 and 1725, de' Matteis lived in Rome, where he received a commission from Pope Innocent XIII.
He had as pupils Filippo Falciatore, Francesco Peresi, and members of the Sarnelli family including Francesco, Gennaro, Giovanni, and Antonio Sarnelli. Others who were his pupils were Giuseppe Mastroleo, Giovanni Pandozzi,[1] Michelangelo Buonocore, Domenico Guarino, Antonio Fumo and Nicola de Filippis.[2]
Gallery
-
The Adoration of the Shepherds,
Dallas Museum of Art -
The Annunciation (1712) -
Adoration of the Shepherds (1710–15) -
Cain and Abel (1690) -
Allegory of the Consequences of the Peace of Utrecht -
The Triumph of the Immaculate
See also
- Santa Maria di Montesanto, Naples, for one of his works
- In 1996, the United States Postal Service issued a Christmas stamp based on his Adoration of the Shepherds.[3]
References
- Artnet biography from Grove encyclopedia of Art.
- Getty Museum biography.
- Hobbes, James R. (1849). Picture collector's manual; Dictionary of Painters. London: T. & W. Boone. pp. 153.
External links
Media related to Paolo de Matteis at Wikimedia Commons
Authority control databases  | |
|---|---|
| International |
|
| National |
|
| Artists |
|
| People |
|
| Other |
|
